Marni Nixon (4th from L) & Master Class students

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By Marcia E. Gawecki

She was the singing voice of Audrey Hepburn in “My Fair Lady,” and Natalie Wood in “West Side Story,” and Deborah Kerr in both “The King and I” and “An Affair to Remember.” She sang Opera, performed on Broadway and won two Emmys along the way. At age 80, one would think that Marni Nixon would rest on her laurels and retire like many legends. However, recently, she performed with other Broadway singers at a “One Night Only” concert in Palm Springs, and then gave a two-hour Master Class at the Idyllwild Arts Academy (IA).

“We were so lucky to get her,” said Doug Ashcraft, head of the Music Department at Idyllwild Arts. “Darren (Schilling, PR) saw that she was appearing nearby, and e-mailed her to see if she’d do a Master Class for us.”

Ashcroft added that Nixon had hosted a Master Class at IA about six years ago.

“I love what I do,” Marni Nixon said when asked why she is still performing. “And I still have to set a good example for my grown children.”

Her son, Andrew Gold, followed Nixon into the music business. She said he is best known for creating the theme song for the TV sitcom, “The Golden Girls.” Her daughters, Martha Carr, became a psychologist and Melanie Gold is a massage therapist. All three live in LA, and Nixon planned on visiting them that weekend.

On April 9, Stephens Recital Hall was packed to capacity with students, faculty and even some Nixon fans who live in Idyllwild.

“I’ve been following you throughout your career,” one woman said later as Nixon was autographing her CD.

Each of the students took turns performing a song of their choosing (with special meaning to them). They included: Everett Ford, Samuel Chan, Preston Pounds, Ruby Day, Joey Jennings, Paulina Kurtz, Becca Goldberg, and Melissa Haygood

“I wasn’t as nervous as I am performing,” said Samuel Chan, a classical voice major, who performed “Loveliest of Trees.” “I knew that she was there to help me.”

For Chan, Nixon suggested that he enunciate his consonants more, and then visualize while he was singing.

“Try and visualize that tree,” Nixon suggested. “Is it old? Is there snow on the branches?” She also said to put emotion behind the discovery of the tree. “Imagine that your rooomate has just died, or something just as traumatic, then you go to the woods to get away, and you come upon this tree.”

Chan performed the song for Nixon again, visualizing the tree.

“I can see you smelling the branches,” Nixon exclaimed, as Chan blushed.

“Can you see the difference?” Nixon asked everyone in the audience and they clapped in response. She added that it was good for classical voice majors to take some acting classes to help them visualize, and for musical theater students to take classical voice for the discipline.

Everett Ford sang a song in German, and Nixon asked him to translate the first and second verses. He said that it was about death and passing away freely.

“Just because the song is sung in German, doesn’t mean you don’t have to enunciate,” she said. “Be Italian, without being ‘fake.’ It will feel strange at first, but then it’ll become more natural. We need to hear the distinction of the words.”

As he performed the song over again, Nixon announced that she was going to “poke” and “pry” at him. She prodded him to stand up straight, and came up behind him, and held onto his rib cage.

“That’s where your voice needs to come from,” she said.

With other students, she mentioned posture, confidence, and the Tai Chi way of  firmly planting your feet on the ground.

After Becca Goldberg sang, “I Never Knew His Name,” about a young girl who didn’t know her father, Nixon was complimentary in her delivery, but critical of her posture.

“This might sound a bit cruel, but the way you’re standing up here says, “Oh poor me, pity me,'” Nixon said. Immediately, she went over to Goldberg and straightened out her spine.

As Goldberg was singing it again, Nixon commanded her  to push against her with all her strength. “You need to get that strength and emotion into your song,” she said. Goldberg sang another song for Nixon, a sassier, jazzier one, and her posture greatly improved.

Throughout her critique, Nixon would always ask the title and composer of the songs. Most of the students didn’t know, and referred to their sheet music at the piano. When Joey Jennings announced his second song, “Bring Home My Youth,” by Oscar Levant and Edward Heyman, Nixon asked Jennings what he knew about them.

“These are famous people,” she said. “Oscar Levant was bitter and funny and honest about his putdowns of people. This is kind of his signature song.”

When Jennings finished the song, he wiped away tears and “flipped the bird.”

“That was a good exercise,” Nixon responded. “Now, next time, instead of being angry underneath, try another emotion.”

When Paulina Kurtz sang, “My Brother Lives in San Francisco,” Nixon said that she wasn’t familiar with it.

“It’s new, and never been performed on Broadway or anything,” Kurtz said. She explained that it was about a girl recollecting her gay brother who moved to San Francisco, and the effects of AIDS.

Afterwards, some of the students in the audience were brought to tears.

“Can you give me a copy of that song?” Nixon asked. “I’d like to share it with some of my students.”

Nixon answered questions from the audience

“These Master Classes are a great way for me to stay in touch with modern music,” Nixon said later.

“Just perfect,” Nixon told Melissa Heygood, the last one to perform.

“I don’t think I say it perfectly,” Melissa said later. “I think she was just a little tired.”

After the last performance, Nixon told a little bit about her career, and answered questions from the audience.

“What advice would you give to young people who are just starting their careers, knowing what you know now?” asked Ella Walker, a dance major.

“Have lots of money,” Nixon quipped, as everyone laughed. “You need to have a job at night like computer programming or something, because you need to be up and ready for auditions during the day.”

Others asked if she had travelled to Europe or Asia (because of her Suzuki teaching method) and what type of music genre she preferred.

Nixon talked about her youth, when she and her sisters would sing at local events to make money for their voice lessons.

“Sometimes the teachers would feel sorry for us and give us a break on their rates,” she said.

She said she began singing seriously, with regular performances, at age 10 or 11. Remarkably, at age 17, she performed with the Los Angeles Philharmonic.

“She seems like one of those rare individuals who came out of the womb singing,” said Jessica Scales, a theater major, later.

“I wish we could have heard her sing,” added Andie Hubsch, another musical theater major. “But was nice just being in the presence of a legend.”

Afterwards, Nixon posed for pictures, signed autographs, and sold copies of her CDs and new book, “I Could Have Sung All Night.”

Copyright 2010 Idyllwild Me. All rights reserved.

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By Marcia E. Gawecki

On Friday, March 12 at 7 p.m., there was a quiet showing of “The Cove,” this year’s winner of the Academy Award for Best Documentary, at the Green Café in Idyllwild.

In his e-mail prior to the show, Jeffrey Taylor wrote: “Director Louie Psihoyos took home this year’s Oscar for Best Documentary for his stunning heist-like story that is about half Jacques Cousteau and half James Bond. A ‘dream team” of activists venture to Japan to expose the secretive work of a small community of fishermen who slaughter dolphins so they can sell the meat nationally and abroad.

“As hard as it may be to envision, this sensitive and revealing film is both unflinching and mesmerizing in the activists attempt to get answers a la ‘Ocean’s Eleven’ means. Please don’t let the subject matter deter you from seeing this beautifully-crafted film, either tonight or at a later time.”

“I’m going to tell my friends to see this film,” said an elderly woman, one of 15 residents who attended the showing that night. “There’s only about five minutes of graphic killing that I had to turn away. But they have to see it because the message is important.”

Others in the audience included animal lovers, activists and teachers from Idyllwild Arts and Astro Camp.

“Documentaries aren’t like first-run feature films. They don’t come out in DVD right away. It might appear on TV sometime, but it’s going to be hard to rent or buy it, unfortunately,” he said.

Will Waddell liked "The Cove"

However, Taylor plans to show “The Cove” to Idyllwild Arts students following their Spring Break in early April. Betty Bailey, a film instructor, was excited about the possibility of showing “The Cove” to film students and perhaps the entire Idyllwild Arts student body. She didn’t see the film, but had heard good things about it from Will Waddell, an Idyllwild Arts teacher, who did.

For more than a decade on Friday evenings at his Green Café office, Taylor shows a variety of little-known films, including Film Noir, silents, comedies, westerns, horrors and documentaries like “The Cove.” After the Academy Awards last year, Taylor showed the ‘Best Documentary’ winner about a tightrope walker who scaled two skyscrapers.

“I didn’t expect anyone to show up,” Taylor admitted. “But I thought the message was important. They’re killing mammals unnecessarily.”

Those who braved the movie showing said they were surprised that it was less about a brutal portrayal of the killings, and more of a message about how it all started and what one talented filmmaker and activist did to get the message out.

Richard O’Barry, who rose to popularity with “Flipper,” the popular film about a bottle-nosed dolphin in the 1960s, said that he became an activist when “Cathy,” one of the dolphins from the show, committed suicide right in front of his eyes.

Committed suicide? How is that possible? In the movie, O’Barry said that dolphins are intelligent mammals, like us (but with bigger brains), and each breath has to be taken willingly. He thought that Cathy must’ve been depressed about being held in captivity, and killed herself by not breathing.

“She took her last breath and fell to the bottom of the pool,” O’Barry said in the film. “And a week later, I was sitting in jail after cutting dolphins loose.”

O’Barry collaborated with Psihoyos in creating “The Cove,” to get the word out of the massive dolphin slayings that are held each year from September to March in Japan. In a small cove in Taiji, fishermen herd dolphins in from the sea by forming a line of boats and making noises with metal poles. The process is known as “oikomi.”

“Dolphins are keenly sensitive to noise,” O’Barry said in the movie. “They are afraid of the noise and swim to the cove to get away from it. There, they are herded into nets and the bottle nosed dolphins like the ones in “Flipper” are sent to marine parks like “Sea World,” while the other dolphins are brutally slaughtered.

Jeffrey Taylor thought "The Cove" was important to show

“From September to March, the Taiji fishermen slaughter about 1,000 dolphins a week,” Taylor added.

Their meat is barely edible, because it has high degrees of mercury in it.  At one time, the meat was being given to Japanese school children for their lunches. Mercury poisoning can lead to many kinds of abnormalities, especially en vitro. Since the film came out, the dolphin meat in lunch program has been halted.

But the killing of the 20,000 dolphins has not.

“It’s a little more complex than you think,” said Larry, one of the attendees of “The Cove” showing, who works at Astro Camp, and is also Japanese. “Japan is a small country and doesn’t like being told by anyone what to do.”

He said that he thought “The Cove” showed an accurate portrayal, and didn’t unnecessarily blame Japan for the slaughter.

To make the documentary, the filmmakers went illegally into the cove at Taiji, because they wouldn’t have been allowed in otherwise. It’s a Japanese national park, but “Keep Out” and “No Trespassing” signs are posted everywhere. Furthermore, the fishermen are aggressive in not allowing visitors there during the dolphin-hunting season. Armed with video cameras, the fishermen try and get O’Barry and other activists arrested.

According to the film, anyone can be held in a Taiji jail for 30 days without sentencing.

“Most times, people confess to their crimes after they’ve tortured, which is legal in Japan,” O’Barry said in the movie. He is savvy enough to stay out of jail, but receives regular visits from the mayor of Taiji and the chief of police.

Psihoyos and his ‘dream team’ took high-tech video cameras illegally from the U.S. and brought them in to Taiji to depict the slaughter. They hid the cameras in rocks, on top of the hillside and underwater.

“It was important for us for people to hear the slaughter, as well as to show it,” Psihoyos said.

The crew hid the cameras at night and nearly got caught. Two deep-sea divers who could hold their breaths for 300 feet hid the audio cameras in the cove. Before, they had swum with dolphins and enjoyed the interaction.

Throughout the film, the crew interviewed Japanese politicians who insisted that the dolphin killings were humane because dolphins eat too much of the ocean’s fish, which is depleting rapidly.

“That is so absurd, that I cannot even address that comment,” said one of the representatives at the International Whaling Organization where Japan has presented its case for whaling and dolphin hunting. Dolphins and whales are not depleting the world’s fish population; we are with our massive consumption.

The Japanese government told the Taiji fishermen that they are doing a good community service by killing dolphins, because they are fish-eating parasites.

Unfortunately, “The Cove” doesn’t have a happy ending. In barely six months from now, the Taiji fishermen will continue their annual slaughter of dolphins. “They are nervous, but undeterred,” was the text at the end of the film. Fortunately, dolphin meat, with its toxic levels of mercury, is no longer being fed to Japanese schoolchildren.

What can you do? Visit “The Cove’s” web site, www.takepart.com, or text the word, DOLPHIN, to 44144, for answers. There, they tell you to write your congressmen, donate money and get the word out to others to help stop the slaughter for good.

“I had to show the movie, even if only one person saw it,” Taylor said.

In the weeks following “The Cove” showing, he has remained diligent in getting the word out. He’s put a banner on his web site, www.greencafe.com, which generates about 1,000 hits a day. He also sends weekly e-mails to his mailing list about when “The Cove” makes the news, such as when an LA restaurant was closed for selling illegal whale meat, and when “Heroes” actress Hayden Panettiere visited Taiji recently to meet with Japanese officials. Hayden had appeared in “The Cove” documentary, as one of the surfers who peacefully demonstrated in Taiji.

“Japan would have to do something if 10,000 people descended on Taiji in September,” said a local supporter, who was ready to book her flight. “Babies and animals need our voices, because they don’t have their own. ‘Flipper’ is crying out to us right now.”

For more information, visit www.takepart.com, or text the word DOLPHIN to 44144.

Copyright 2010 Idyllwild Me. All rights reserved.

Li-An Tsai, an IA semi-finalist

By Marcia E. Gawecki

Out of the thousands of Southern California students who entered the Music Center Spotlight Awards this year, six Idyllwild Arts students have made it to the semifinals. Besides an opportunity to win thousands in scholarship money, Spotlight winners are also invited to summer music festivals, meet influential people and perform before large audiences. In short, it’s a big deal.

For more than two decades, the Spotlight Awards have been providing meaningful recognition, encouragement and advancement for high school students studying music and visual arts. The categories include: ballet, non-classical dance, classical voice, non-classical voice, classical instrumental, jazz instrumental, photography and two-dimensional art.

The six Idyllwild Arts semi-finalists for 2010 include: Martin Peh, Ru Guo “William” Wang and Shen Liu, classical instrumental; Caleb Hensinger, jazz instrumental; Kayla Tuggle, non-classical dance; and Li-An Tsai, for two-dimensional art. Some, like the dancers were eliminated earlier, while the four music students will find out if they made the finals today, Saturday, March 13.

Caleb Hensinger, jazz semi-finalist

“I’m happy, but it’s hard when you’re up against your best friends,” said Martin Peh, who plays the violin. His friends, William and Shen, both play the clarinet, and are just as stoic.

When William was congratulated recently, he smiled and looked down. “He’s happy, but he’s holding back his emotions,” said his girlfriend, Ai-Ching Huang, an Idyllwild Arts violist.

Last year, two Idyllwild Arts students made it to the Spotlight Finals: Tian-Peng “Timmy” Yu, a sophomore pianist, who won his classical instrumental category and Samuel Chan, a junior, who took second place in classical voice.

Timmy, who won his category, agreed that it could be nerve wrecking. “When they announced the two finalists (from the classical instrumental category) last year, they put us all in the same room,” he said. “Everyone was looking at me. It was kind of awkward.”

“But when you’re one of the two finalists, you’re already won,” Timmy added. For first place in the classical instrumental, he earned a $5,000 scholarship, while Samuel got a $4,000 scholarship. They both have been invited to attend the Aspen Summer Music Program this summer on scholarship.

Timmy Yu beams as Spotlight Winner 2009

Timmy said it was exciting to be a finalist. “A Hollywood director takes a video of you, and you get to talk to the media,” he said.

At last year’s Spotlight Awards at the Dorothy Chandler Pavilion in LA, many Idyllwild Arts students and faculty showed up to support Timmy and Samuel. The short videos depicted their life at Idyllwild Arts with interviews with their music teachers, family and friends. It’s a memento they will treasure for a lifetime, Timmy said, and was later posted on You Tube for all to see.

After the videos were shown, each of the finalists got to perform before the large audience at the Dorothy Chandler Pavilion.

“I can’t wait to find out who made the finals this year,” said Samuel. “I want to pass on the torch.”

There were no Idyllwild Arts students in Sam’s classical voice category, but one visual artist made it to the Spotlight semi-finals this year, Li-An Tsai. She said her small watercolor depicts two people listening to music, she said.

When she received her congratulatory letter this year, Li-An didn’t celebrate for at least two hours. She had entered the Spotlight Awards last year and got a rejection letter. She was sure it was the same thing, but she waited to show her roommate, Geneva Winters, just to be sure.

“She knows English better than I do, and she said that I made it,” Li-An said. By making the semi-finals, Li-An also received $500 towards summer arts classes.

As part of the Spotlight semi-finals process, Li-An was invited to the Bergamot Station Arts Center in Santa Monica with the other finalists from the 2-D art and photography categories on March 6. For two hours, she and her IA friend, Sana Liu, toured four galleries, and talked about art with their sponsor.

“He asked us questions like, ‘What message do you want others to walk away with?’” Li-An said. “It makes you think about what you want your art to say to people.”

Li-An & Sana Touring Galleries

On March 20, Li-An will know if she made the Spotlight Finals at a gala the Armory Center for the Arts in Pasadena, in which they’ll showcase all of the arts student’s entries.

“When I told my mom that I made it to the Spotlight Semi-finals, she said, ‘Oh good!’” added Li-An. “I don’t think she knows what an honor it is yet.”

For more information on the Music Center Spotlight Awards, visit www.musiccenter.org.

Copyright 2010 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

Hours before their Feb. 17 concert at Walt Disney Concert Hall (presented by the Los Angeles Philharmonic), several principal players from the Leipzig Gewandhaus Orchestra agreed to give 12 Idyllwild Arts students master classes.

“The players at the Gerwandhaus Orchestra have a very special way of thinking about music and playing phrases,” said Peter Askim, music director and composer-in-residence at the Idyllwild Arts Academy. “The students get a different perspective on music making, and each teacher has a different way of explaining the same concepts.”

The fortunate Idyllwild Arts students who took classes that day included Seann Trull and Rachael Hill, French horn; Ruo Gu Wang and Shen Liu, clarinet; Ting Yu “Monica” Yang, Lei Shao, and Anais “XO” Liu, cello; Xiao Fan Liu, Minyeong “Stephanie” Kim, Martin Peh, Lea Hausmann, and Dorisiya Yosifova, violin.

The four principals from the Leipzig Gewandhaus Orchestra included Bernhard Krug, French horn; Andreas Lehnert, clarinet; Christian Geiger, cello; and Concertmaster Frank Michael Erben, violin.

Peter said that he chose the guest musicians based on their reputations as players and teachers, and he tried to give the most number of students the opportunity to experience the master classes.

Lei Shao, an Idyllwild Arts cellist, said that he chose the music for his hour-long session with Christian Geiger at the Colburn Center across from Disney Concert Hall. Lei said that he was excited, but nervous when he played for the professional cellist.

“He gave me some good advice on how to improve my playing, and I will apply it right away,” Lei said enthusiastically. The best part, he admitted, was when he got to hear Christian play on his own instrument.

Peter said the master classes were not easy to arrange, but he has connections with two American musicians who used to play for the Leipzig Gewandhaus Orchestra. “Usually the musicians are very happy to teach and meet students from other places when they travel,” he said.

During the concert at 8 p.m. that night at the Walt Disney Concert Hall, the students got to choose from seats located in the top balcony or behind the orchestra.

“I like to sit behind the stage and watch the conductor,” Peter admitted. “A lot of the students appreciated almost feeling like a part of the orchestra.” However, he wanted the pianists to sit in the balcony so that they could experience the piano soloist from that perspective.

“A lot of people don’t realize that at these concerts, it’s all about the music. You don’t have to sit where you can see the musicians,” said Samuel Chan, an Idyllwild Arts vocal student. Although Samuel sat behind the orchestra this time, he said the best place to hear was in the balcony.

For the students, their eyes were glued to the Leipzig Gewandhaus Orchestra during the entire performance, which included two pieces by Ludwig van Beethoven: The Piano Concerto No. 5 in E Flat Major, Op 73 “Emperor,” and Symphony No. 7 in A Major, Op 92.

Peter said that the Idyllwild Arts Student Orchestra performed Beethoven’s Symphony No. 7 during their first concert in Idyllwild last year, and it was good for them to hear a professional version.

“The tempos that the conductor (Riccardo Chially) chose were different,” Peter said. “They have also been playing this music their whole life, and they are from the German culture that Beethoven is from. But I think our students did a very good job on the symphony last year, though!”

He thought the Leipzig Orchestra did a nice job that night. “Many students think that just playing the notes of a piece is enough, but seeing an orchestra like Gewandhaus shows them that the notes are just the beginning. Taking the notes on the page and turning them into such a moving musical experience, full of emotion and subtlety is beyond their imagination, and shows them how much they have to learn and grow.”

Kathryn Schmidt, an Idyllwild Arts jazz vocals student, said that Beethoven’s Symphony No. 7 was one of her favorites because it was later adapted to include vocals. “The story is about a boy who loses his father,” Kathryn said. “It’s so beautiful and sad.”

Like Peter, she was particularly impressed with the Gewandhaus Orchestra’s ability to play very soft and loud.

According to the LA Phil materials, “Movement II (of the Piano Concerto No. 5) is one of the composer’s most sublime inspirations. The muted strings play a theme of incomparable beauty and sad tenderness, with the piano responding in hushed, descending triplets, creating subtle tension until the theme is fully exposed.”

The pianist who was supposed to accompany the Leipzig Orchestra was Nelson Freire from Brazil. However, for reasons unknown, Canadian pianist Louis Lortie replaced Nelson, and did an outstanding job. Lortie, who lives in Berlin, has received accolades for his Beethoven interpretations, stated LA Phil materials.

After the orchestra received a standing ovation before intermission, Louis came out and performed Beethoven’s Prometheus Overture, Op 43, for an encore.

“It’s ironic that he chose the Prometheus Overture as his encore, because that’s the piece that our orchestra played as an encore after they played Beethoven’s 7^th Symphony last year,” said Samuel Chan, who is also Canadian. “We were rolling in the aisles and couldn’t believe that we chose the same music.”

According to the Disney Concert brochure, the Leipzig Gewandhaus Orchestra, the oldest civic concert orchestras in the world. It was founded by 16 merchants in 1743.

During his lifetime, the Leipzig Gewandhaus Orchestra performed all of Beethoven’s symphonies. This orchestra has an exceptionally wide repertoire and more than 200 performances each year. This is because of its multidisciplinary function as an orchestra, an opera orchestra and a chamber orchestra that performs cantatas with the St. Thomas Boys Choir.

Sheila Bernhoft had tears in her eyes after the concert, but she was not the only one. “The students were very, very inspired and had many new ideas to explore in their own music making,” Peter said. “They were also very appreciative, which makes me feel good and happy to do this kind of thing for them in the future.”

This was the last major trip that the music department will make this year. They plan to take a few small trips to see the Los Angeles Opera and the LA Philharmonic.

Copyright 2010 Idyllwild Me. All rights reserved.

Wes Rizor stands near tree fallen on power line

By Marcia E. Gawecki

At approximately 3:36 a.m. on Wednesday, Feb. 10, a mild earthquake shook Idyllwild. It only lasted a couple of seconds, but came on the heels of several natural onslaughts in recent days.

On Tuesday evening, Feb. 9, Idyllwild received about six inches of more snowfall. This was added to an already snow-packed base on the ground from a couple of weeks ago. Around 9 p.m. after it stopped snowing, Highway 243 was relatively clear, but the side streets were still hard to maneuver and vehicles were moving cautiously.

There were some trees that had fallen on power lines, but none has caused any power outages. “It’ll take a lot more than that tree to put out the power,” said resident Wes Rizor, who lives near Idyllwild Arts Academy, and used to drive for them. “I remember one year before spring break, the snow was falling so hard that we couldn’t even get the vans up the hill to the girl’s dorm,” Wes said. “They had to walk down the hill with all of their suitcases.”

Moreover, on Saturday afternoon, Feb. 6. a mud and rock slide caused major road damage to a section of Hwy. 74 at the Cottonwood burn area (at the base of the hill). The California Highway Patrol closed Hwy. 74 from Mountain Center to Hemet until further notice. Steve Hudson, an Idyllwild resident, said that it may take up to one month for the road to be fixed. In the meantime, residents are going through Garner Valley and Banning to get down the hill.

On Jan. 29, on Hwy. 243, near the U.S. Forest Service Alandale Station, a boulder slid onto the road around 10:30 p.m. (see post on this site for photos and more details). It was safely removed within a few hours.

Boulder moved to side of Hwy. 243

For the latest weather information in Idyllwild, visit the Town Crier web site, www.towncrier.com, and for up-to-the-minute earthquake information, visit the Green Cafe web site, www.greencafe.com. This local site uses earthquake information programmed from government web sites. As a service, it provides information about earthquakes that occur near Idyllwild and from around the world.

Copyright 2010 Idyllwild Me. All rights reserved.

Boulder removed from Hwy. 243 is marked by pylon.

By Marcia E. Gawecki

Around 10:30 p.m. on Friday, Jan. 29, about a mile north of the U.S. Forest Service Alandale Station, a large boulder managed to slide down the hill and land on Highway 243. A California Highway Patrol (CHP) officer was parked there in his sedan with his flashers on, covering the spot for oncoming drivers. A Caltrans bulldozer was also there ready for the move, and another was on the way. They had to get that boulder, about the size of an SUV, out of the road.

It looked like a formidable task, maybe something that would take a couple of hours, so I quickly called Jenny Kirchner, the photographer for the Town Crier newspaper. “You might want to come take a photo of this boulder. It’s right in the middle of the road near the Alandale Station,” I told her voice mail, and left it at that.

As it turned out, she got the message and wanted the photo, but was in a movie theater in Palm Springs at the time—without her camera. After the movie, she drove up the hill to get her camera, then down again to get the shot. She took it about 2 a.m., after it had been moved.

How she found the bolder in the dark and without a CHP marking the spot I’ll never know. The photo made the Feb. 4th issue of the paper, on page 3.

I had to go down the hill the next day and couldn’t find the boulder anywhere. As it turned out, Caltrans had moved it about 20 yards from where it slid. There’s a fallen tree and a big hole left there (see photo), but two neon pylons marking the new spot.

Boulders blocking Highway 243 are a big deal around Idyllwild, and especially a sore spot for the Town Crier newspaper. About two years ago, a much larger boulder had blocked the road for about a week, causing residents and tourists to go around the Hemet way. After much consideration, Caltrans blew up the bolder to get it out of the road.

Becky Clark, the former Town Crier editor, couldn’t even make it to work in Idyllwild that week, and was struggling to put out the paper from home. A reporter from the Press Enterprise in Riverside had called her asking about the boulder, and when it was going to be removed.

This boulder that slid last Friday night wasn’t quite as much of a headache for Idyllwild residents. In fact, only a few people knew about it. Yet, whenever it rains a great deal like it has over the last couple of weeks, rockslides are likely, and drivers should be wary.

NEXT UP: Photos of the bridge out in Valle Vista, at the bottom of the hill. Some say that it’ll take one month to fix.

Copyright 2010 Idyllwild Me. All rights reserved.

A fallen tree and hole mark the spot where the boulder had been.

Boulder size comparison to car.

By Marcia E. Gawecki

“I’ve seen my show,” said Howard Shangraw, head of the Idyllwild Arts Theater Department, to the cast and crew of “Welcome Home, Jenny Sutter.”

He was giving these students the ultimate compliment. He was pleased with the final rehearsal and their stellar performance. Even if no one came (in the aftermath of a 12-inch snowstorm that hit Idyllwild that weekend), he was happy.

“Welcome Home, Jenny Sutter,” is a modern play that focuses on a wounded Marine now back from Iraq who is trying to “find her way home” through the help of misfits from Slab City. As outlined in the playbill, this show has become part of a national trend of theater performances that are shining a harsh light on Iraq’s seven-year war.

“This is one woman’s story about her own war experience,” Howard said. “If there’s any message here, it’s this: war is hell.”

The show’s stark reality started with the set. In center stage, wrapped around a large pole, was an American flag, our nation’s symbol of freedom. Yet, this one s soiled and tattered, and created from large strips of rags–the backdrop of an brutal story.

Behind the flagpole was a large, floor-to-ceiling video screen that featured flashbacks of ongoing gun battles and bomb explosions complete with sound effects. Other times, it served as a simple scene changer from a hospital, to a bus station, and then to Slab City, Jenny’s remote “haven” in Southern California.

“The video was our idea,” said Howard, proudly. “At one part in the script, the playwright suggested some slide scenes, but we decided that ongoing video and slides would really enhance the show.”

Howard said that Eric Bulrice, the set designer, an award-winning Idyllwild Arts graduate, went to Slab City, and shot stills of its drab, concrete reality, and even found videos of gun battles. Everything worked out well visually, and if there were any glitches during the show on Saturday night, January 23rd, they were not evident to the audience.

The beauty of a small cast, six in all, is that the audience gets to see the characters fully develop. We know their pasts, their idiosyncrasies, their hopes, their dreams and all the while, we’re cheering for them. At the final curtain bow, there wasn’t a dry eye in the house. However, those were not tears of sadness, but of appreciation for a remarkable story well told.

“I couldn’t stop crying for about an hour after the show,” said Dominique DeRoss, a visual arts student, and roommate of Carter Smith, one of the cast members. “I was emotional because I was so proud of my roommate. I know how hard she worked on her performance, and she was so great!”

The show opens with Jenny Sutter, played by Amenta Abioto, being carried into a hospital on a stretcher. “I can carry my own weight!” she snaps at the two Marines, giving us a taste of her exploding anger, frustration and bitterness. It’s also where we first learn that Jenny has a prosthetic leg, a war wound that she obsesses over.

“The leg is not really a typical plastic prosthetic,” explained Howard. “That would have cost us $1,000, but it’s a wrap around one made mostly out of material. I believe it worked.”

Jenny, at odds with her new home environment, watches bus after bus leave the station, until Hugo, an attendant wittingly played by Juwan Lockett, takes notice. He asks about her destination, and she tells him to mind his own business, her eyes flashing. He is quirky–killing cockroaches with his shoe and shouting in glee–yet relentless in getting her to move on. Jenny is as guarded here as she was back there.

Carter Scott, who plays Lou, a loveable, yet neurotic, compulsive gambler-drinker-smoker-thief-and-sex-addict, befriends Jenny and takes her home with her to Slab City, a former WWII Marine base without water or electricity.

“How did I get here?” Jenny asks Lou, obviously appalled by her lowly surroundings, including all the quirky misfits who live there. Buddy, played by Riley Lynch, is Lou’s boyfriend, a physically handicapped lay minister who retells simple triumphs.

“What’s his story?” Jenny asks Lou, as Buddy limps away.

“When he was young, Buddy served as a ‘punching bag’ for his parents, until a neighbor took him out of a shopping cart one day and saved him,” Lou explains. “His parents never came looking for him.”

Buddy’s shoulders stoop, his arms hang awkwardly at their sides, and he limps. His physical ailments are not befitting his young age. Unlike Jenny, however, Buddy chooses not to focus on his physical shortcomings, but tries to heal the world instead.

Lou’s other friends, including Cheryl, her  “psychologist,” played by Madeline Otto, and Donald, a withdrawn weirdo, played by Joey Jennings, serve as the show’s comic relief.

Cheryl, in her business suit and comfortable flats, follows Lou around, encouraging her to abstain from all her vices. “She’s not really a psychologist, you know, but a hairdresser from Hemet,” Donald quips as he “outs” her to the others. “If you really want to help Lou, give her a perm!”

Joey, who wore a knit cap and eye shadow on his cheeks, wasn’t easily recognizable by his family members in the audience.

“I knew it had to be him because there’s only six cast members,” said his aunt from Idyllwild. “He just looked so different, but he stole every scene he was in.”

Like the other cast members, Joey visited Slab City with Howard before the show and met his real life counterpart. With his monotone voice, and eyes that darted sideways, Joey nailed Donald’s tragic character. Donald withdrew from society after he saw a truck crush his best friend to death.

“I miss people,” he admits to Jenny after their first kiss.

Yet, as we watch Jenny have nightmares, battle scene flashbacks, and angry encounters with everyone, we know she’s strong and is going to be all right. Her physical and emotional scars are situational–not rooted in youth.

The bomb, that was planted in a baby’s diaper at an Iraqi checkpoint, went off, killing 23 other Marines, and caused Jenny to lose her leg. That remarkable and grim reality of war wasn’t discussed much in the show. Perhaps playwright Julie Marie Myatt didn’t want to preach.

“How do you live with that?” Jenny screams at Donald near the end of the show. “Twenty-three people died because I didn’t check a baby’s diaper!”

Even when the scenes involved other characters, Howard kept Jenny onstage. “I wanted her emotional turmoil to be ever-present,” he said.

Yet, it is Lou, who makes Jenny remember her obligations. “I’ve seen your breasts, and those are breasts that have nursed children!” Lou exclaims.

“Quit looking at my breasts!” Jenny shouts back.

“You have children, for God’s sake! You can turn your back on your parents, friends, and brothers and sisters, sure. But not your children!” Lou announces in a woman-to-woman confrontation that leaves the audience tearful.

Another powerful scene was somehow created in slow motion onstage. When a balloon pops at her “Welcome Home” party, Jenny instinctively pulls Lou and Donald to the ground, covering them from the “bomb.” When they all realize it was only a broken balloon, there’s an awkward silence as Jenny and Lou struggle to stand up. Then Donald laughs hysterically, and we all hate him for it.

After the party disaster, Lou found solace in booze and cigarettes. When he finds her, Buddy doesn’t preach. We get a good idea on how emotionally fragile everyone is.

In the final scene, Jenny and Lou are back at the bus station. Jenny is headed home to Oceanside, while Lou is off chasing rainbows.

“Go back to Buddy,” Jenny encourages, believing for a second she has a chance for a real relationship. But we know it’s going to take years of therapy to undo those damages of youth. We know somehow Jenny is going to make it. She’ll get physical therapy at the VA Hospital, spend time with her two girls, and piece her life back together. Maybe she’ll even forgive herself.

“God, give me something to believe in,” Jenny kept pleading in her nightmares. Lou said that she could identify with that too. Left with an uncertain ending to the Iraqi war, it’s a plea that we all can share.

Copyright 2010 Idyllwild Me. All rights reserved.

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By Marcia E. Gawecki

By all appearances, Idyllwild has the perfect set-up for recycling. Just down the street on Saunders Meadow, our transfer station offers recycling of bottles, cans, glass and even organic materials, such as leaves, twigs and branches. All you have to do is follow the signs and dump the organic recycling in the back. Yet, one local artist and activist recently discovered that not everything is recyclable.

“I called Waste Management, the company that runs our transfer station, and they told me that they’re not recycling our organic waste,” said Jessica Shiffman, an illustrator and activist living in Idyllwild. Originally, she had called to find out if she could use some of the organic material to help grow her own vegetables. Like other residents, she assumed it would be broken down, as compost, and returned to the earth, perhaps as mulch. The Waste Management representative told her that the organic materials are just dumped into the landfill along with rubber tires and everything else.

“So why have the appearances of a separate organic dumpsite in the back?” she asked them. “People think something is being done about that, being turned into compost or fertilizer or chipping material. It’s a real shame.”

That’s not the only local recycling disappointment. Jessica also found out that the Idyllwild Post Office doesn’t recycle papers that are put into the bins by residents.

“They can’t recycle letters and other mail because there’s legal and personal information on it,” she said. “To recycle it, they’d have to shred all the paper first. They don’t have the manpower or time for all that.”

So for those resident who stand in front of the bins at the post office every day to sort and toss mail, know that all that stuff is not being recycled. It will be thrown into the trash along with everything else.

“If people prefer to have their mail and other personal papers recycled, they should take it to the transfer station themselves,” Jessica suggested. “It’s up to them if they want to shred it first.”

On the upside, Jessica found out that certain plastic recycling, like those wrappers that cover meats and cheeses, are recyclable. “They told me that it doesn’t matter much if there’s a little foodstuff left on it,” Jessica said. “They prefer everything to be clean, but it’s OK to have a little residue on the plastic wrappers.”

Another surprise was that the black plastic containers that contain plants and trees are not recyclable. “It’s a different kind of plastic,” she said. “Apparently, it’s the wrong kind, and Waste Management said they can’t recycle it.”

Copyright 2010 Idyllwild Me. All rights reserved.

As it turns out, the ghost has occupied her Idyllwild home for about six months now. She’s never seen this ghost, but has smelled him on occasion. She knows it must’ve been a man before because the noises are accompanied by a strong men’s cologne and cigarette smoke.

“He’s really an angry spirit,” she said, obviously distraught. “It’s like he pours hate down on me every day. Sometimes, I just have to leave the house.”

But she hasn’t moved out–yet. She’s not trying to get out of any lease, either. She pays her rent month to month, and is current. However, she has never mentioned the ghost to her landlord, in fear of being labeled “crazy.”

“That woman should just confront the ghost, and demand that it leave the premises,” suggested one source familiar with Idyllwild homes. (The source didn’t want to be identified either.) Years ago, the source had heard of a shaman that was brought to Idyllwild by a homeowner to inspect a house that he wanted to purchase.

“There were cracks along the foundation of the house, and he wanted to make sure there were no evil spirits living there,” the source said. “Apparently, the former owners had run lines there, and had forgotten to seal up the cracks.”

“Anyway, the shaman inspected the place, and found no spirits,” the source said. “And the homeowner has been living there ever since.”

My neighbor considered contacting a shaman to get rid of her ghost too, but wasn’t sure where to begin. “They’re not listed in the Yellow Pages, you know,” she said in exasperation. “And how do I know they’re legitimate or just want to take my money? I have to get a good referral, but it’s a ‘Catch 22’ because I don’t want to tell anyone about the ghost.”

The realtor source didn’t know how to contact a shaman either.

My neighbor said that her ghost flicks the lights on and off and moves objects around on tabletops. “He just wants my attention, but I try my best to ignore him,” she said.

Ghosts don’t necessarily have to die in the house they’re haunting, our source added. “They just have to have an attachment to it. Sometimes they’re stuck in the wrong dimension, and need to get free, and go towards the light. Your neighbor should tell it to go away, and leave her in peace.”

My neighbor said that she’s broken down in tears and confronted her ghost several times before, but to no avail.

“It just goes away for a couple of days, then returns,” she said. “The depression and loneliness that I feel is tied to this house. If I get out and go to L.A., San Diego or Hemet, I’m fine. It’s not me; it’s the house.”

So our ghost story continues … If anyone knows of a reputable shaman, or surefire way of getting rid of ghosts in Idyllwild houses, please post a message below. Also, if you want to tell us about your own Idyllwild ghost story, please post a message or contact me at idyllwildwriter@gmail.com.

Copyright 2010 Idyllwild Me. All rights reserved.

Author Ben Killingsworth at home in Idyllwild with a Pop Art portrait of him

By Marcia E. Gawecki

A cross between Garrison Keillor and Erma Bombeck, award-winning local columnist Ben Killingsworth presents some of his humorous “Off the Cuff” columns (that ran in the Idyllwild Town Crier newspaper from Feb. 2003 to Nov. 2005) in a 102-story collection entitled, “I’m Waiting for My Wife.”

Most of the stories are uniquely Idyllwild, such as the Jazz Fest, the Home Tour, Casino Night, poetry readings, trips to the post office, and hikes in the woods–all told from a local’s perspective. At the time they appeared, this retired CHP Chief, was also president of the Idyllwild Chamber of Commerce and a Rotary volunteer. All of those experiences served as fodder for his weekly columns. One unusual one entitled, “Doggone Right,” reveals how Ben “converses” with a dog at a local meeting, reading the dog’s responses and wholeheartedly agreeing with him–which nearly gets him thrown out of the meeting!

Some feature locals by name, including bookstore owner Steve Moulton and realtor Dora Dillman, while others remain anonymous. But none are mentioned more often than Ben’s wife, Nanci, a local artist and volunteer, who is always the “voice of reason.” For example, in “Hammer Down,” Ben wants them to become a semi-truck driving team, while Nanci reminds him of their two dogs, three cats, and all the litter boxes and leashes that need to come along. “You be sure and write,” Nanci quips.

“Ben’s an observer,” Nanci adds. “I’ll be talking to him out on the deck, and his attention will wander to a spider making a web. It’s all about the animals, birds, insects and people in our world, and he does a good job of writing about it.”

Waiting for My Wife is now available at local shops in Idyllwild, including the pharmacy

Years after the columns ceased to appear in the paper, locals would often tell Ben that they missed reading them. “They’d say that my column was the first thing they’d read in the paper, and sometimes the only thing,” Ben said. So, after getting permission from the former Town Crier publisher, Ben decided to self publish his book of columns. It’s in the final editing stages, and will likely be sold in early spring for $13.95. For more information, contact BenBK@aol.com.