By Marcia E. Gawecki

Outside his Idyllwild home every weekend, Peter Hopper sets out tables, hardware shelves, beach umbrellas and the American flag. On display are his homemade bird houses, including single dwelling, three-room “condos,” and one unique gingerbread “mega mansion.” Stacked off to the side are flower boxes with flowers or geometrical designs on them. And around the corner is a massive bird feeder mounted on a nine-foot pole.

Although these are the work of a master craftsman, it more of his “calling card,” and an opportunity to teach his two young boys about his old world craft.

“These bird houses are a friendly way to get to know people,” said Hopper, who has lived with his family in Idyllwild since 2000.

Hopper, is tall, clean-shaven (including his head), and speaks with a heavy Austrian accent. Although he looks like “Mr. Clean,” he is soft spoken and philosophical, especially when talking about his family.

“I’m working with my boys on weekends trying to teach them carpentry–like I learned from my father in 1976,” Hopper said.

“Idyllwild is a great place to be because there’s nature all around, not lots of traffic and people are friendly,” he added.

Behind him in the open garage are a plethora of table saws, drills, a planer and boxes of tools. Sawdust is all over the floor and tables.

“As a carpenter, you need high quality equipment,” Hopper said. He mainly does commercial work that includes installing of hardwood floors, marble and porcelain tiles, restoration of antique furniture, and plumbing that includes sprinkler and drip systems.

One of his recent jobs in Idyllwild was on Country Club in which he built several small decks, and an ornate brick entryway. He’d like to do more local work, so he wouldn’t have to commute to Oceanside.

In the meantime, however, he’s content to teach his boys about carpentry on weekends.

His son, Liam, age 15, helps him create the bird houses and flower boxes, while Dylan, age 9, is the salesman. Dylan’s homemade sign reveals the prices: $35 for the single-dwelling bird houses, $45 for the stacked, three-room condos, $180 for the gingerbread mega mansion, and $85 for the bird feeder.

“Dylan doesn’t like the sawdust, so we made him the salesman,” Hopper explains. “He’s great at selling, but doesn’t always understand adult humor. Like when a customer offered to pay for a bird house with a credit card, Dylan was left speechless.”

“We lost the sale, but Dylan knows next time to tease them right back,” Hopper added. “We told him to say, ‘No, we don’t accept credit cards, but we’ll take your cash or a check.'”

All of the bird houses have a standard-sized opening, but Hopper will custom fit them with a smaller wooden insert, if you’d like. Bluebirds, for example, need smaller holes, to keep the larger bluejays out.

There are primarily two styles Hopper sells, a plain one with a slanted roof, and a modified log cabin style (to match many of the homes in Idyllwild). The “condo,” bird house, coined by Dylan, has three rooms.

He created that style when he had seen a tree at his sister-in-law’s place that housed as many as 50 birds.

“Some birds are more social,” he said. “So you can mount two of these condos side-by-side on the tree and make a lot of birds happy.”

However, his latest bird house, the “mega mansion” (also coined by Dylan), shows off Hopper’s carpentry skills. There is great detail in the pitched roof with double chimneys, and the wrap-around porch. It looks like a gingerbread home you’d might find in Austria.

It takes some time for he and the boys to create this masterpiece, so the price is reasonable at $180. They sold two of them last year, with one customer mounting it on a pole, while the other hung it from a tree.

Although ornate, there is no paint or waterproof coating on the mansion–and the other bird houses as well. Hopper said that most of his customers prefer to paint, seal or decorate them themselves.

However, the flower boxes are decorated, stained and sealed with a waterproof coating.

The designs include flowers, geometric patterns, and more recently, children’s cartoon faces. Hopper pencils in the design on the box to start, then carves them with a hand-held router. Then he sands it off and finishes with a wood stain and a polyurethene coating.

You may have seen his handiwork outside the beauty shop in town, the Help Center, and Strawberry Creek Inn.  Adding a name to the flower box costs $15 more.

“People come to me with newspaper clippings and drawings, and ask me to duplicate the design,” Hopper said. “We are happy to accommodate  everyone.”

The flower box dimensions are approximately 33 inches long, by 8 3/4 inches wide and 7 1/2 inches high. Hopper recommends inserting plastic liners into the boxes so that there is protection between the dirt and wood. The liner also serves another purpose.

“At night, you can easily pick up the liner and bring your flowers into the house,” said Kelly, his wife. ” That way, you’ll keep them from freezing, or bothered by animals.”

It was also her idea to add color to the flowers on the flower boxes.

“We’re always looking for ways to improve,” she said.

The bird feeder that sits in front of their house is remarkable. It has a large roof to protect against rain and snow, with a large opening for several birds to feed at once. There is about a one-inch rim around the bottom to keep the seeds or peanuts inside.

Like the bird houses, Hopper recommends that people use a plastic liner for easy inserting and cleanup.

It costs $85, but you can also purchase a nine-foot pole for $10 that can be mounted into a pipe into the ground. Some need help installing the bird feeder, and Hopper helps them for free.

It’s all about teaching, family togetherness, and not so much about the money. He doesn’t have to say it. His sales speak for themselves.

Last year, Hopper and his sons sold about 15 bird houses, and 25 flower boxes, but gave 50 of them away, mostly to schools and children.

He knows that he could beef up sales by opening up a shop in town, or selling online on eBay. None of these options appeals to him right now.

“My family is number one. Here, I have all of my tools and my boys to help me,” Hopper said. “If I have to make 100 bird houses, then it becomes work, and not so much fun.”

He’s been through all that, he said, 30 years ago when he worked 2o-hour days for someone else. Now, he’s just happy to do custom work and making a few bird houses with his boys.

To see the Hopper family bird houses, visit them at 53675 Tollgate Road in Idyllwild, or call (951) 659-5909.

Copyright 2010 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

On May 28-29, the Idyllwild Arts Academy screened five short films, and trailers for three documentaries. The students work was well received by those who attended, including the media. The school plans to send the short films to area film festivals for review, however, some films don’t start getting attention until almost a year later.

Case in point: “The Steinway Virtuosos,” a short documentary produced by Idyllwild Arts students last year (2009), is now being screened at the Palm Springs International Short Film Festival on June 22-28. ShortFest 2010 will present more than 300 short films from 40 countries.

ShortFest 2010 is known worldwide for its extraordinary community of filmmakers it attracts, and the quality and scope of its programming. In 2005, an Idyllwild Arts student, Alexis Echavarria won the “Audience Choice Award” for “18 Minutes,” a short film about the last 18 minutes of sunlight on earth. The 16-year-old student died before the screening at ShortFest 2009, but a student award has been set up in his name.

His mother has not forgotten Idyllwild Arts and has been generous over the years. In Oct. 2009, she dedicated “Alexis Annex,” a building on the Idyllwild Arts campus, in his name.

“She also donated all of the computers that we used to edit the films this year,” said Dr. Ira Abrams, from the Idyllwild Arts Moving Pictures Department.

“The Steinway Virtuosos,” the 2009 student documentary, is about a piano contest sponsored by the Steinway Society of Riverside County, a nonprofit organization that helps put music back into California grade schools what government funding has cut over the years.

Ruth Moir, founder and head of the Steinway Society of Riverside County, said that she hopes that her organization will help to nurture interest in music in grade school students. They have set up a “piano lab” targeted at students from third to fifth grade, in which they learn to play on pianos at school and read music.

The Steinway Society also has an outreach program for talented piano students in which some receive piano keyboards to practice at home. Marcos, a grade school student featured in the documentary, came to the Steinway Society by accident. He was called into the principal’s office for tardiness, and saw a piano there. He asked if he could play it, and impressed the principal, who immediately called The Steinway Society.

Up until that time, Moir said, he was playing “by ear” on a broken down old keyboard at a home that he shared with his single mother and sister with special needs. The Steinway Society gave him a new keyboard and music lessons, and within a year, he has learned to read music.

When the Idyllwild Arts crew came to interview him at his home near Palm Desert, he performed “I Will Always Love You,” a song he created for his grandmother who had just passed away. The strength and intensity of his playing hushed them into silence.

The documentary crew consisted of Amelia, Emily, Joel, Ben, and Scarlett. Two of them graduated from Idyllwild Arts on June 5. Emily plans to study film, while Amelia wants to try acting in front of the camera in her native Vancouver. Daphne or “Kitty,” who won the piano competition that was featured in “The Steinway Virtuosos” documentary, will study piano in college in the fall.

Other Idyllwild Arts music students and faculty who appear in the video include: Doug Ashcraft, Nelms McKalvin, Ie-Seul, Georgina and Timmy.

When Amelia, the producer, graduated this year, she was unaware of the screening at ShortFest 2010, but knew about its potential to appear on public television.

“Guess I’ll have to wait until it appears on TV,” she said. “That would be pretty exciting.”

Scarlett, who edited “The Steinway Virtuosos” as well as five films this year, said it was one of the most difficult to complete. She was working day and night, right up until the screenings on campus last year.

“It changed direction three times,” Scarlett said, as she groaned, remembering. “It was about the Steinway Society, and then the competition. But, in the end, we were pretty happy with the way it turned out.”

Abrams said that he hopes to attend ShortFest 2010, along with others from the Idyllwild Arts Moving Pictures Department, but the film festival is held during their summer break.

“‘The Steinway Virtuosos’ will be shown in a package appropriately called, ‘Performance Anxiety,’ which screens on Saturday, June 26,” said Dr. Abrams. “There will be nine shorts starting at 1:30 p.m., so our documentary will start an hour later, roughly at 2:30 p.m.”

For more information on ShortFest 2010, visit www.psfilmfest.org, for “18 Minutes,” visit www.alexisechavarria.com, and for attending Idyllwild Arts, visit www.idyllwildarts.org.

Copyright 2010 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

The first time that I saw her was at midnight in my kitchen. I had just returned from work and had forgotten to shut the back door. I have cats, and always leave kibble out for them. Apparently, the smell had attracted her.

I had written an article on raccoons before, so I knew to start making noise and turning on lights. They don’t like either one. She was headed for the back door, when she suddenly turned around. What was she doing? I got scared.

Then I could see the two little “kits” with her. They were the size of a baby cat, all cute and furry, but with that distinctive black band across their beady eyes. I went for the food drawer, and started getting out some kibble, and promised them more if they left.

I put it out in a pie tin and watched as each of them delicately lifted the food with their hands and ate it. All the while, they didn’t take their eyes off of me once, except for the mother.

I didn’t realize that something was wrong with her until several visits later when she came by herself. She was on the porch ledge eating the bread that I left out for the bluejays.

I put kibble out for her in the pan, and she didn’t step backwards, or run up the tree like her kittens did. In fact, when the food hit the pan, she came towards me immediately. I had no time to react, but kept my voice soft, “Here you go, honey, here’s some more food for you.”

She reached for the food, but missed the pan. She tried again and missed. The third time, she found the food and ate it. I could see in the porch light that her eyes weren’t quite right. Almost a little cross-eyed and tired. They didn’t shine like her kittens’ eyes.

“What are you doing?” my sister in Kansas asked me. “Did you know that they can reach up and open your screen door? If they come inside your kitchen, they can open up boxes and canisters. It would be a disaster!”

I didn’t tell her about the earlier visit.

“I heard that if raccoons, which are nocturnal, go out searching for food during the day, they can burn out their retinas,” some student told me.

“I’m not sure if that’s the case,” said the receptionist at the Idyllwild Ranger Station on upper Pine Crest. “She might have gotten into a fight with another raccoon. You know how sharp their claws are.”

“Isn’t there any raccoon glasses that we can give her?” I teased. I was concerned that if this mother raccoon couldn’t see me, then she couldn’t see any predators either.

“Coyotes may be able to sneak up on her if they can sense that she’s weak,” the receptionist said. “You really shouldn’t be feeding her. Like we always say, ‘A fed bear is a dead bear.'”

I knew what she meant. She wasn’t talking about bears, but the danger of feeding wild animals. Not only for us, but for them. We could get bitten, and they could become dependent, and let their natural defenses down. But what about the blind mother raccoon? Would it be better to let her forage for her own food? It seemed a little cruel.

“Well, she’s teaching her babies that they can dine at your place sometimes,” said my mother.

“Cat food is pretty rich for raccoons,” offered Janice, another receptionist the next day. “They really like dog kibble. Perhaps you could feed them that.”

I had heard of a “Raccoon Lady,” in Idyllwild, who nurses baby raccoons back to health. She’s also a pretty good hairstylist. I plan on talking to her soon. Perhaps she could advise me on what to do next.

Copyright 2010 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

The trailers for the five student films are already up on You Tube. The entire student body at Idyllwild Arts got to see them last week.  Now, everyone in Idyllwild can see all the films in their entirety at the “Moving Pictures Screenings” on campus this weekend. Like the Academy Awards, black tie is optional.

The five student films, all ranging from eight to 18 minutes in length, showcase the writing, directing, producing, editing, lighting, and camera work of the students in the Moving Pictures Department. Moreover, some of them even scored and acted in the films.

According to Malcom, a film student, the five short films include: “Prima Ballerina Assoluta,” about high school dancers; “Shortcomings,” a comedy about a teen with a small whatchamacallit; “Practice Room Nine,” a horror movie; “The Other Side,” an art film that no one can really explain; and “On the Bright Side,” a comedy about an optomistic teen unwilling to break-up.

Besides the five films, there will also be trailers for some documentaries that didn’t get finished this year, added Malcom.

Marietta, who wrote and is producing a documentary about fashion designers, said that sometimes it takes three to five years to complete one. Her documentary started out featuring her mother, a Russian fashion designer. However, as a senior, Marietta wasn’t concerned about someone else finishing her work next year.

“Two students from our crew will still be working on the documentary,” Marietta said. “And I’ll come back to help them edit it.”

“Because you’re the only one who speaks Russian,” said her friend, Sofia.

“No, the  last part of the documentary will be in English,” she added.

“The films are better this year,” said Scarlett, who worked on nearly all five of them.

She said that “Shortcomings” and “The Other Side” were the most difficult to get out of the can. Mostly because of the weather changes.

Carter, a theater student who was one of the leads in “The Other Side,” said that it was freezing when they shot some of the scenes.

The students had built a “rain machine” and they were scheduled to shoot on one of the coldest nights of the year. Any delays in shooting “The Other Side” would put other films behind, so they had to push ahead with it.

“I was shivering a lot,” Carter said. “But it looks like I was just emotional on film.”

She said that it was harder to “play dead,” and not shiver.

“Prima Ballerina Assoluta,” Dhaivat’s 18-minute short film about ballet dancers, started out as a Kung Fu ninja fighters movie, with lots of death and fight scenes.

“But then Isaac (Webb, chair of the Moving Pictures Department) and I realized that the only ones on campus athletic enough to carry off a fight scene were the dancers, so we had to change it a bit,” he said. (See “Kung Fu Ballerina” post from April 20).

Most of the actors in the films are theater, film and dance students from Idyllwild Arts, including Dakota, Miracle, Ellen, Carter, Mykal, Kia, Juwan, Luke, Lea, Oscar, Jamie, Dylan and Laura, among others. Ana Lia Lenchantin, an Idyllwild resident, plays the ballet teacher in “Prima Ballerina Assoluta.”

Many Idyllwild landmarks will appear in the student films, including Fairway Market, the dance studio and dorms on the Idyllwild Arts campus, and homes in Idyllwild.

“We’re going to put out the red carpet,” said Laura, who wrote, directed and scored “On the Bright Side,” a short about a ridiculously optomistic guy who won’t allow his girlfriend to break up with him. Laura also played the female lead in another film, “Shortcomings.”

The Moving Pictures Screenings will be held at 7:30 p.m. Friday and Saturday, May 28 and 29 at the IAF Theater (in the Bowman Building) on campus. All screenings are free and open to the public. Both evenings will show the same five films. For more information, visit www.idyllwildarts.org or call (951) 659-2171. Check out the “IAA Trailers 2010” on You Tube.

Copyright 2010 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

Today at 2 p.m. is the final show of the “The 25th Annual Putnam County Spelling Bee,” a hilarious and irreverant comedy, by the Idyllwild Arts Theatre Department. If the last two shows were any indication, you may want to arrive early so that you can get a seat.

The show centers on a middle school spelling bee in the fictional town of Putnam Valley. We get to learn a lot about its six quirky contestants, including Olive, a latchkey kid whose mother ran off to an ashram, played by Ruby; Logan, a German immigrant with a lisp and two dads, played by Erin; Barfee, an egghead who writes with his feet, played by Shane; Chip, an over stimulated Boy Scout played by Preston; Leaf, a simpleton tree hugger, played by Joey, and Marci, an Asian overachiever, played by Miracle.

Panch, the proctor, played by Devon and Rona the host, played by Paulina, add much of the adult humor and keep this musical comedy rolling along. Throughout the show, keep a close ear to Panch, who offers the words in an NPR-sounding whisper, yet provides raunchy examples when asked to use them in a sentence.

For her part, Rona is host, but she’s still living out her glory days as a spelling bee winner. The author, Rachel Sheinkin, likes to tell many of the back-stories in flashback, with lights, smoke, and characters that appear out of nowhere.

Meeche, played by Becca, is the “comfort counselor,” who is at the spelling bee because of her parole. Like many characters in this play, she’s a stereotype. She’s a macho Mexican gang member, who wears a bandana and leather jacket. She’s the one who ushers the students offstage when they lose. Yet, towards the end of the show, she reveals her tender side, wanting to give the students real life advice–instead of just a hug and a juice box.

The best part of the show is the audience participation. While standing in line, several attendees were asked if they wanted to be a “volunteer.”  That meant that they would go up onstage and participate in the spelling bee show.

This added a homespun element to all of the shows, including the one on Saturday, May 22. Among those chosen were students and teachers at Idyllwild Arts, including Macarena, a dancer; Martin, a violinist, and Molly Newman, a composition teacher. Ironically, Molly was eliminated early, while Macarena and Martin stayed on for at least four words.

Like the others in the show, Macarena, who is Mexican, was asked to spell only Mexican words, and Martin, who is from Singapore, was given only easy words, “because he just learned English a few minutes ago.”

Although this show is a farce–and you’ll see some surprises at the end–the author may have gone too far with Asian stereotypes. Marci, the Asian overachieving contestant, speaks six languages, twirls a baton and takes karate, yet only gets three hours of sleep each night.

However, Martin, the Asian volunteer, although cute, looked stupid, while Panch’s definitions for his easy words didn’t fit. It appears that Sheinkin borrowed from the racially insensitive humor of “Long Duk Dong,” an Asian foreign exchange student from “Sixteen Candles,” a 1984 teen movie starring Molly Ringwald. I sat next to a father and a young Asian girl, who didn’t understand any of it. Pity the poor Pop who had to explain things later.

Yet, no one minority group seemed to go unscathed in “Spelling Bee.” For example, Logan, the young German girl, who spoke and sang with a lisp, has two fathers, or a gay couple, as parents. They hover like helicopters throughout the show, pushing Logan to her stress limits.

“Don’t talk to me about stamina, Carl,” one of them quips.

In another scene, they take a picture of Logan to send to her “B.M.,” which is not poop, but an abbreviation for her birth mother, who naturally, lives in a trailer park in Kansas.

Although the contestants were the focus of the show, the parents of Olive (played by Melissa and CD), gave a heart-wrenching duet of their breakup.

No children or adults in the audience can ever spell all the words that the contestants were asked, including strabismus, capybara, boanthropy, phylactery, omphaloskepsis, crepuscule, flagellate and tittup, to name a few.

“The 25th Annual Putnam County Spelling Bee” won some Emmys on Broadway, including “best book.” To help with the show, the assistant choreographer from the Broadway show came up to Idyllwild for a couple of days to help out with the dance numbers. Brooke, who was a contestant and dance captain in the show, said it was great to have her there. You can see her professional mark on everything, including a slow-motion dance piece.

To add to the authenticity, all the songs, dance tunes and sound effects were played each night by musicians at Idyllwild Arts, including Patrick Doran-Sheeran, the conductor who also played drums; Nelms McKelvain, a piano teacher on piano; Georgina on keyboards; Una on percussion; Shen on clarinet and Monica on cello.

“It’s always a great experience to learn different types of music,” said Una. “It’s great for your resume, and at the end of the show, they give us pizza.”

The final show of “The 25th Annual Putnam County Spelling Bee” is at 2 p.m. today, Sunday, May 23, at the IAF Theater (in the Bowman building) on the Idyllwild Arts campus. All shows are free and open to the public. For more information, visit www.idyllwildarts.org.

Copyright 2010 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

For one fun-filled evening, audience members were treated to a hefty dose of jazz and then classical music. Monday, May 10, was the senior recitals for Kathryn, a jazz vocalist, and Rich, a classical pianist, in Stephens Recital Hall at the Idyllwild Arts Academy.

Kathryn’s roster of 10 songs included jazz standards, classical rock and some blues.

Dressed in a slinky over-the-shoulder short, black dress and a red flower in her hair, Kathryn looked like the ultimate showman. But looks were disceiving.

“She was really nervous before the recital,” said Marshall Hawkins, head of the Jazz Department at Idyllwild Arts. “But I wouldn’t hear none of it. I knew she was going to be fine.”

Kathryn’s first song was “Stepping Out” by Irving Berlin. She sang a duet with Everett, a classical vocals major.  They had fun and chemistry onstage, and the loud applause afterwards gave Schmidt the confidence that kept building until her last song.

For her next tune, “Ev’ry Time We Say Goodbye” by Cole Porter , Kathryn was by herself onstage. Just a guitar and microphone.

“I like doing acustical work,” Kathryn had said earlier in the day. “Sometimes, it’s just nice being out there by yourself.”

When she started “Use Somebody,” a popular rock song by Kings of Leon, Won Bin, shouted out, “I love this song!”

Kathryn played it slower than the popular version, but with just her guitar, and for the first time, we understood all of the lyrics.

By her fourth song, “Maybe,” Kathryn brought on her fellow jazz mates, including Hallie on vocals and piano; Mint on electric guitar; Alejandro on bass guitar and Nate on drums.

“‘Private Lawns,’ by independent artists A & J Stone, is one of my favorites,” Kathryn said as an introduction. And by the time she was done, it was one of ours too. She introduced two musical soloists, Jacob on flute and Caleb on trumpet.

“I just blew in from Chicago, where they have private lawns and public parks,” were the jazzy lyrics.

Grant Park, one of Chicago’s more famous public parks, features a free, four-day jazz concert each Labor Day Weekend. Residents pile in from the neighborhoods and suburbs all dying to hear the jazz greats. Some famous performers include Miles Davis, Benny Carter, Ella Fitzgerald, Anthony Broxton, Lionel Hampton,  Betty Carter and Jimmy Dawkins, among others.

For her next song, Kathryn switched to rock n’ roll with the Rolling Stones’ classic, “Wild Horses.” You have to give her credit for taking on such a popular song for the Baby Boomer generation. At first when I heard the lyrics, all I could hear was Mick Jagger’s low voice, and Keith Richards’ electric guitar. But then I settled in and accepted Schmidt’s soprano voice and standard guitar.

For the next few songs, Kathryn went out of sequence from the playbill. For “Oreo Cookie Blues,” she sang a duet with Mint and her electric guitar. It was a fun, little song that made the favorite cream-filled sandwich cookie a bit sexy.

“I’ve got the chocolate cream-filled cookie blues,” Kathryn wailed. “It gets me higher than I get on booze. I couldn’t quit if I wanted to!”

The next tune, “Lift Me Up,” Kathryn said it was a Christine Aguilera song that she sang at a “Hope for Haiti” benefit. She played it with Hallie, and it was a slow, love ballad. “Just get me through the night,” she pleaded to an unseen lover.

For “Orange Colored Sky,” Kathryn brought on the entire jazz band, including Mint on electric guitar; Alejandro on bass; Nate on drums; Jacob on alto sax; Anthony on tenor sax, Hallie on piano and Caleb on trumpet.

With that many jazzmen on stage, one would think that they’d easily drown Schmidt out, but she held her own.

“I talked to them (the musicians) about it,” Hawkins said after the show. “You never want to drown out your singer.”

For her final number, Schmidt sang Aretha Franklin’s anthem, “Respect,” and brought the house down. She added backup vocalists Amenta and Allison, who “wooped” and danced and made everything fun. The interesting part is that Amenta is a theater major and Allison is a visual artist. Who knew that they could sing?

“It wasn’t happening for me at rehearsal,” Anthony confessed later. “But when Amenta and Allison showed up during the show, they really brought a lot of energy that we played into.”

By this time, Kathryn was in her groove. She grabbed the microphone from the stand and started walking around, and “talked” to the drummer Nate with her “doo, doo, doo’s.” She looked like the ultimate jazz showman.

When the Aretha anthem was over, everyone was on their feet, clapping and cheering. And Kathryn walked away with an armload of five bouquets.

For Rich’s review, look to the separate article, “Classical Piano Recital.”

Copyright 2010 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

Internationally-acclaimed jazz pianist and composer Vijay Iyer will play with the Idyllwild Arts student orchestra at the REDCAT Theater at Disney Hall on Mother’s Day this Sunday, May 9 at 5 p.m. Tickets are $25, and proceeds go to Idyllwild Arts.

Iyer, who is an old college friend of Peter Askim, the music director and composer-in-residence at Idyllwild Arts, performed one of his compositions at the concert last night at the IAF Theater.

His piece, entitled “Interventions for Improvised Piano, Electronics & Orchestra,” was met with some skepticism at first.

“It’s really hard to play,” said Conner, a trombone player. “It’s not the kind of music that we’re used to.”

During an interview on You Tube, Iyer discussed that same concern with his “Interventions” piece.

“Classical performers are trained in interpreting musical notes on a page,” Iyer said. “They have lots of ideas on how to do that, and it’s what they’re good at. With this piece, I hope to draw from that expertise.”

But this piece called for certain instruments to improvise, something that jazz musicians are used to, but not classical musicians who play in an orchestra.

To be ready for their performances, each of the sections had extra rehearsals–in addition to their regular orchestra rehearsals. The list was posted on the cafeteria door, and other students knew they wouldn’t be seeing much of the music students during “orchestra week.”

Well, their hard work paid off. Last night’s concert was a success, according to James Duval, a classical flute player and the former head of the Music Department at Idyllwild Arts.

At 10:30 p.m. Saturday night, the concert was over, and Duval was overseeing several students as they loaded up the truck with all of the instruments, including the bass drum. The truck is set to head down the hill Sunday at 9:30 a.m. in plenty of time for the 5 p.m. show at the REDCAT.

“There were a lot of people there tonight,” Duval said. “And they really liked Vijay Iyer’s piece.”

Charles Schlacks, Jr., a former Russian History professor at Berkeley, was among those who attended Saturday’s performance on campus. He has amassed a classical record collection in excess of 40,000, but continues to enjoy live performances.

“The student orchestra always does a nice job,” Schlacks said. “The new music was different than what I’m used to, but it was very nice.”

In another interview on You Tube, Iyer said that he’s used to comments like that about his music. As background, Iyer earned a bachelors degree in math and physics at Yale. Although he studied jazz piano in high school, it wasn’t until after he graduated from college that he became a full-time performer and composer.

“In America, they don’t always support certain arts,” he told an Indian reporter shown on You Tube. “Even if music not commercially popular, it gets out there somehow because it needs to. In the end, music is the healing force, the force of change.”

Iyer mentioned that other musicians, even popular ones, do improvisations too.

“I saw a video of the guy from the Black Eyed Peas who took a speech by (President Barak) Obama and turned it into a piece of music,” he said. “It was his concession speech in New Hampshire. And it had all the rhythms and candances associated with music.”

Not surprisingly, much of Iyer’s compositions are based on math principles. In fact, he gave a lecture on “Math and Music” to about 75 Idyllwild Arts students and faculty on Friday, May 7. There, he explained how math is integrated into music.

“Usually, I don’t like music to be too hard, contrary to what you might believe,” Iyer said, amongst laughter from the music students.

He outlined rhythm phrases that crossed over the beat in rhythmic progression, and gave the “A, B, A, B, A” pattern variables.

“As you can see, it is taken on a linear shape,” Iyer said. ‘But this is not music.”

He said that the challenge of being a composer today is to remain fresh, and always learning something new.

“But it helps me to start with something artificial,” Iyer said. “That way, you’re not always starting from the same place each time.”

Then he played some of his improvisations from an amplifier attached to his laptop.

However, Iyer wasn’t the only one with an orchestra piece that was performed Saturday night. Askim, too, featured one of his pieces, a trombone concerto.

“His piece was hard to play too,” said Connor.

Senior pianists Ieseul, Linda and Daphne “Kitty,” each got to play different pieces with the orchestra.

Ieseul said that she’s looking forward to playing at the REDCAT.

“Any chance we get to go down the hill and perform before a live audience, is a good thing,” she said.

Another good thing for the Idyllwild Arts student orchestra also happened this weekend.

“Our recording of Tchaikovsky’s 5th Symphony came out Friday, May 7 (Tchaikovsky’s birthday),” Askim said. “It is a CD/DVD set, and I think it will be good.”

To hear that recording, visit iTunes at www.itunes.com.

For tickets and more information about the RedCat performance on Sunday, May 9, at 5 p.m., visit www.redcat.org, or call (213) 237-2800. Tickets are $25 for the general public and $10 for students with I.D.

Copyright 2010 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

Just two weeks before Spring Break at Idyllwild Arts, a “Cadaver Trip” to Loma Linda University Medical Center was planned. Some admitted to signing up just to get off the hill for the day, while others wanted to get extra science credit. No one really wanted to see a dead body.

Well, maybe two of them did. Caleigh and Fion, two Interdisciplinary Arts majors, were the most calm and interested of the 18 students who attended that day. They weren’t nervous beforehand, walked right up close to the cadaver when it was unveiled and asked the doctor a lot of questions. After graduating next year, Fion is thinking of studying medicine instead of the arts.

“I was really impressed with Loma Linda,” Fion said. “It looked like an excellent school that I might want to go to.”

On the other hand, Caleigh plans to study painting at New York University in the fall, but also wants to study embalming and makeup for the dead.

“I’ve got four more years of art school, and my career may not take off right away,” Caleigh explained. “So I’ll need something that I can rely on for awhile.”

In fact, she had seen a dead body before. “I toured a mortuary once and saw how they get people ready for the funeral,” Caleigh said. “It’s really fascinating.”

She said that she went along on the trip because she was thinking of including art diagrams of internal organs for her senior art show in April.

William Waddell, a faculty science teacher at Idyllwild Arts, hosted the trip. It was his first time to Loma Linda University Medical Center, and he was excited about seeing the new facility.

“Loma Linda Medical Center probably has the largest anatomy facility in the United States,” Waddell said.

Al Newman, who teaches math at Idyllwild Arts, went along for support.

Dr. Benjamin Nava, director of Anatomy, lead the hour-long tour. The campus was busy that week hosting a medical convention, in which Dr. Campbell, one of President Obama’s physicians, was a keynote speaker.

Before entering the three anatomy labs, there were large signs posted: “No photographs please.” One van driver and several students admitted to having cameras with them. They were hoping to get a few pictures to show their friends who were too “chicken” to come.

“For security purposes and the dignity of our patients, we ask that you refrain from taking pictures of the cadavers and the facility,” Dr. Nava said.

The first room they entered was one of the anatomy labs. Just like on medical shows, there were several gurneys lined up in rows, in the cold, sterile-looking operating room. Overhead, large screen TVs could beam the dissection to as many as 200 students. While sheets were draped over the bodies, and there was a strong smell of embalming fluid in the air.

The students huddled together in a large group, eyes wide open, and no one spoke. Several students were holding each other’s hands for support. They were just staring at the bodies, waiting for “the moment” when one would be uncovered.

Dr. Nava must’ve lead many student tours before. Because he showed the Idyllwild Arts students three operating rooms of cadavers, a model storage room, and a plastination room before he uncovered the dead body.

“Plastination is the newest thing in anatomy,” Dr. Nava said, as he handed a plasticized human brain to the students when they were touring the storage room. Because it was made of plastic, some took it readily, while others refused.

“That’s still someone’s brain,” one said. “I’m not going to touch that!”

According to web sites, plastination is a technique used in anatomy to preserve bodies or body parts. The water and fat are replaced by certain plastics, yielding specimens that can be touched, do not smell or decay, and even retain most of the properties of the original specimen.

“We can check these parts out, right Dr. Nava?” Waddell asked as he was inspecting a plasticized chest cavity.

Dr. Nava said that Loma Linda Medical Center is setting up a library in which teachers like Waddell can check out an organ or body part. However, when Caleigh asked if she could check some out to study them for her senior show, she was refused.

It’s only for medical research and teaching purposes, the doctor said.

Along the shelves, there were plasticized arms, feet and ankles, brains and other body parts.

“There’s a great sample of a heart here somewhere,” Dr. Nava said, as he searched the back of the shelves.

“I really want to see a foot,” admitted Kayla, a dance major.

On the table in the narrow room were brains encased in glass and floating in embalming solution.

“When I went to medical school,” Dr. Nava said. “These are all we had to study. Now plastination has made it better for today’s medical students.”

The final stop was a small operating room with a single body draped over it. By that time, the students were relaxed and talking. Some, like Caleigh, came up to the body to get a closer look.

“Can anyone donate their body, or are there certain restrictions?” Caleigh asked. Dr. Nava said that the person couldn’t be too tall because they’d have to fit on the table, and into bins in the storage facility. And for the same reason, they couldn’t be heavier than 300 pounds.

“If a person dies a certain way, can you still accept them?” Caleigh asked.

“If a patient has a certain type of Hepatitis, we cannot accept them,” Dr. Nava said. “We have to protect our students and faculty.”

He added that if certain kinds of cancer have mastesized too far, it’s impossible to dissect the organs in the body, and they’d have to refuse it.

He said that the body that he was about to show the students was dissected for tours such as these.

“We didn’t show you the bodies in the other room because our medical students are working on them,” Dr. Nava said. “And the work they do can be destructive.”

For privacy, he put a smaller drape over the face of the cadaver, but not before a few students saw it. It was an older man with a moustache.

His mouth was open!” exclaimed Sorrelle, a dance major. “Did he die that way?”

“Some medical students were working on dissecting the jaw,” Dr. Nava calmly explained.

He uncovered the body to expose the head, neck, chest and one arm. The skin had turned brown, and the nails were yellow. The left arm had been dissected to show the veins and main arteries.

Like the hood of a car, he opened up the chest cavity to show the heart, lungs, stomach and other organs.

“Like most people living in the Inland Empire, the exhaust has affected his lungs,” Dr. Nava said, revealing some dark spots.

Dr. Nava reached back and checked to see if the cadaver had a gall bladder, and also showed the small and large intestines, the appendix and colon.

Each time that he showed a new part, he asked the students what it was. One stumped them, however. It was a small organ in the upper left quadrant of the abdomen.

“It has to do with red blood cells and the immune system,” Dr. Nava said. “I’ll treat anyone to dinner at the Gastrognome, if you can figure out what this is.”

“His kidney?” Newman guessed. No one seemed to know.

“It’s the spleen,” Dr. Nava said.

He concluded his tour by talking briefly about the benefits of body donation to Loma Linda Medical Center.

“You know funerals can cost thousands of dollars,” he said. “But donating your body to Loma Linda only costs $300, and Social Security will pay for it.”

The cost covers the transportation of 100-mile radius, embalming, storage, and final burial.

Conner liked the cadaver trip

When the tour was over, the students, unfazed, talked about where they were going to eat lunch.

“I think I’m going to donate my body to science,” said Conner, a music major. “It just makes sense.”

Copyright 2010 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

Dhaivat Mehta loves Kung Fu movies. He’s seen them all at least five times, has got quite a DVD/VHS collection of his own, and can carry on a hefty debate with his classmates on what the best Kung Fu movie is.

“It’s definitely not ‘Kung Fu Panda,'” he said with a groan (referring to the 2008 animated movie by DreamWorks). And they went on to talk about the old masters, such as Bruce Lee and David Carradine, and which films had the worst dubbed lines.

So it’s not surprising that this senior Idyllwild Arts film major would want to write a Kung Fu, or Chinese martial arts, film.

“Prima Ballerina Assoluta,” his 18-minute short film about ballet dancers, started out as a Kung Fu ninja fighters movie, with lots of death and fight scenes, Mehta said.

“But then Isaac (Webb, chair of the Moving Pictures Department) and I realized that the only ones on campus athletic enough to carry off a fight scene were the dancers, so we had to change it a bit,” he said.

The show’s title, “Prima Ballerina Assoluta,” Mehta explained, is an Italian title for a professional ballet dancer.

“We researched it, and it’s a title of utmost respect for an international ballerina with a promising career,” he said. “The title fits our movie.”

“There’s lots of beauty to be explored with dancing” he added, “but we kept some Kung Fu elements, such as a sensei.”

The sensei, or wise dance instructor, is played by Ana Lia Lenchantin, an Idyllwild resident, who hails from Argentina and has acted in a several movies before.

“The dancers act as Lenchantin’s disciples,” Mehta said, “and kneel down before her. You’ll see that in lots of Kung Fu movies.”

“There’s also an awesome chick fight, and it’s not held on the dance floor, but in the dorm room,” he added with enthusiasm.

Those three “chicks” that fight in his film are are dance majors Dakota Bailey and Ellen King, with Miracle Chance, a theater major at Idyllwild Arts.

Bailey was seen in the lunch room last week sporting a black eye. No one batted an eyelash.

“Doesn’t it look great?” Bailey beamed. “It has been so much fun working on this movie. I think I’m going to explore acting more in college.”

Laura Holliday, another film major, created the black eye for her with a “pro bruise kit” purchased online.

“It was really amazing, all the colors that were in there, including blue, black, purple, yellow and green,” she said. “The fight scene took three days to shoot, so I adjusted the colors on Dakota’s black eye each day. By the third day, it was yellow and green.”

To choreograph the fight scene, Mehta had help from Phil Dunbridge, who works in the Admissions Department at Idyllwild Arts, but had a lot of “stage combat” (fight staging) experience in college.

“I really learned a lot from him with the fight scene,” Mehta said. “I told him that I wanted it to hurt to watch that scene, and he listened to me.”

Mehta laughed about some fights he’s seen in old “B” movies, in which the men’s hats remain on their heads.

The list of experts from different departments who helped with “Prima Ballerina Assoluta” grew as production neared. Ellen Rosas, head of the Idyllwild Arts Dance Department, choreographed all of the dance scenes. And Emma Gannon, a senior from the Creative Writing Department, was brought in to help with the dialogue.

“When this became a dance movie with lots of ‘girl chat,’ I realized that I needed some help,” Mehta said. “Emma is great with all kinds of dialogue, and character stuff too.”

Most of the scenes from “Prima Ballerina Assoluta” were shot on campus, including the sound stage, Pearson and Lower Wayne dorms.

After the screenings, Mehta plans to send the short film to a variety of film festivals in the area.

Screenings of “Prima Ballerina Assoluta,” and other short films produced by students in the Idyllwild Arts Moving Pictures Department, will be held at the Rustic Theater on North Circle Drive on Friday and Saturday, May 28 & 29. All shows are free and open to the public.

For more information, contact the Idyllwild Arts Academy at (951) 659-2171 or visit www.idyllwildarts.org.

Copyright 2010 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

The operator at Riverside County Code Enforcement said that she’d contact a police officer about the massive dumpsite along Highway 74 near Idyllwild. (See blog article posted on March 30, 2010). There was a front-load washer, two armchairs, a mattress, an old TV and several tires among the debris there.

“Since it’s not a residence with a parcel number, we have to contact a code enforcement officer,” she said. She would have Officer Carol Foray call back.

She was quick about it. Officer Foray asked about the contents of the site, the general area and the mile marker, which was no. 52.

“I’ll take a GPS device and try and figure out the coordinates of that parcel,” she said. “Someone owns it.”

The next step, she said, would be to send a cleanup notice to the owners, and they’d have 30 days to clean it up.

“The owners may live out of the area, and more than likely, they don’t know about the dump site. We have to give them time to send someone to clean it up. They are entitled to due process,” Officer Foray said.

Ordinance 541.5, which was enacted recently, gives Code Enforcement officers an expedited way of dealing with illegal dumping, she said, without having to get permission from the County Board of Supervisors.

“Idyllwild is unusual because it is an unincorporated area in Riverside County. There is no mayor, so the County Board of Supervisors acts as the governing body,” she said. “With this ordinance, we don’t have to contact them every time we find an illegal dump site.”

Two days later, Officer Foray called back requesting more detailed information on the location.

“I’ve been up and down that highway, and cannot find the illegal dumping location,” she said. “Mile marker 52 stretches an entire mile, which is a long way with many pullouts.”

She requested the tenth of a mile numbers located on the same mile marker. It would help her pinpoint the exact location.

The Idyllwild resident who first reported finding the illegal dumpsite said that it was mile marker 52/83.

“It’s at the widest part of the pullout at mile marker 52/83,” she said. “If you stand at that point, you can see it immediately over the edge. But if the officer goes to mile marker 52/97, she’s gone too far.”

When asked what the fine would be for a site of that magnitude, Officer Foray wouldn’t speculate. She referred all further media questions to Hector, her supervisor.

To report illegal dumping in the Idyllwild area, contact (951) 600-6140.

To help eliminate your household hazardous waste, visit the Idyllwild Area Household Hazardous Waste Collection Event on May 15 at the County Road Yard located at 25780 Johnson Road. There, you can bring computers, old cans of paint, and other household hazardous materials to donate, without having to go to Lamb Canyon and pay a disposal fee. For more information, visit www.rivcowm.org.

Copyright 2010 Idyllwild Me. All rights reserved.